Showing posts with label Tous les cinemas du Monde. Show all posts
Showing posts with label Tous les cinemas du Monde. Show all posts

Arlit, deuxieme Paris

A town, in the hostile desert, somewhere in Niger, near the Algerian border. Many plans of the town, the orange sand and the orange houses. We slowly discover the town, empty streets, wide panoramics of the colored homes, and a large factory in the back. What is this building ? We will learn that this is an uranium mine.


We are in Arlit, Niger. The uranium mine is still the first source of devises of the country (even if the . After its creation from scratch in 1969, the golden age lasted until the crash of the uranium price in 19xx. And the old men remember when the workers were richs, when they could eat in restaurants and when they had not to worry about future. Times have changed : the town, called « le deuxième Paris » by the locals, is now a ghost of its past. The mines have lowered the number of its miners (only 700 today, for the 80 000 population). The city has changed. Now, it's not more than a transit point in the long way from black Africa to Europe, for undocumented migrants. Why do you want to go to Europe ? "I know it's not perefet. But there is no job where i come from, and i don't want to stay, waiting for death without doing anything. I prefer to die on my feet, trying to do something". "And for my familly, it doesn't matter if i die in the desert. They won't know, they'll think i'm dead in Europe, that's what's important." And, watching the movement of migrants, the old miners are slowly dying of radiations. The « deuxieme Paris », created for the mines, is slowly becoming a ghost town, place of illegal business.


No off comment : only several people are talking, 6-7 regular intervenants and a few ponctual interview. The documentary lets an important place to view of places, children playing on caterpillars wreck, the colored houses (orange outside, blue inside). A few portraits ans interview, but the community is the true subject of the movie, and its history is sensible in every moment. The town looks alive, and the camera takes all its time to show Arlit, its colors, it's conception of time, the constrats of its inhabitants (people from all Black Africa, Nigerians, Touaregh).


« For me, there is no difference : I film a documentary as I would film a fiction feature. I don't think the esthetic is a weight for the documentary, on the contrary : I want to show what I saw, by any means possible ».


This movie recieved many distinction in international festivals. But in Europe, it was only distributed in Germany. The question of the distribution of major african movies is still critical. Making movies in Africa is difficult, bringing them to public is another adventure.


Arlit, deuxieme Paris

Documentary

By Idrissou Mora Kpai

2005

78 minutes

Niger & Benin

Produced by MKJ film : http://www.mkjfilms.com/films.php

http://fr.wikipedia.org/wiki/Arlit%2C_deuxi%C3%A8me_Paris


Among many distinctions :
Best Documentary of the 15th African, Asian and Latin American Film Festival, Milan (Italia)

Best Documentary, TV5 Award in the 20th Namurs International French Speaking Film Festival (Belgium)

List of Movies by countries [Tous les cinemas du Monde, Rouen]

Algérie LE THÉ D'ANIA - Said Ould-Khelifa - Algérie/France - 2004 - 95' - VOSTF
Angeleterre CUBA, UNE ODYSSÉE AFRICAINE - Jihan El-Tahri - Royaume-Uni/France - 2006 - 2 X 59' - VOSTF
Angola IL Y A TOUJOURS QUELQU'UN QUI T'AIME - Pocas Tisserand - Angola - 2003 - 55' - VOSTF
Argentine LA FIANCÉE ERRANTE - Ana Katz - Argentine - 2006 - 85' - VOSTF
Belgique LE CERCLE DES NOYÉS - Pierre-Yves Vandeweerd - Belgique - 2007 - 71' - VOSTF - N&B
MANOU GALLO, FEMME DE RYTHME - Jean-Philippe Martin - Belgique - 2006 - 52'
THOMAS SANKARA, L'HOMME INTÈGRE - Robin Shuffield - Belgique/France - 2007 - 52'
Brésil UN TRAIN NOMMÉ SAMBA - Sylvie Bayonne - Brésil/France - 2005 - 26' - VOSTF
BurkinaFaso BINTOU - Fanta Régina Nacro - Burkina Faso - 2001 - 31'
SAFI, LA PETITE MÈRE - Rasò Ganemtoré - Burkina Faso/Italie/France - 2004 - 30'
Cap-vert CAP-VERT, MON AMOUR - Ana Lucia Ramos Lisboa - Cap-Vert - 2007 - 76' - VOSTF
Chili PLAY - Alicia Scherson - Chili - 2005 - 105' - VOSTF
Chine LA SAVEUR DE LA PASTÈQUE - Tsai 'g-Liang - Taiwan/Chine/France - 2005 - 114' - VOSTF - interdit aux moins de 16 ans
Congo PIÈCES D'IDENTITÉS - Mweze Ngangura - Congo/Belgique/France - 1998 - 97'
Cuba ADOLFO - Sofi Delaage - Cuba - 2006 - 43'
France BARAKAT ! - Djamila Sahraoui - France - 2005 - 94'
CALICOT - V. Sarah Gurevick - France - 2002 - 7'
CHEZ MOI - Mariette Monpierre - France - 2006 - 7'
CHIEN NOIR, CHIEN BLANC - Vincent Schmitt - France - 2005 - 27'
CHRONIQUES AFRICOLES - Valérie Rosenwald et Cécile Marque - France - 2005 - 64'- VOSTF/VF
HAROUNA ABOUBACAR ZEINABOU ENFANTS DU NOMA - Christian Lajoumard - France -2007 - 61'
LA TERRE ABANDONNÉE - Vimukthi Jayasundara - France/Sri Lanka - 2005 - 108'
LES COW-BOYS SONT NOIRS - Serge Moati - France - 1966 - 15' (Making of)
L'OR BLEU, RESSOURCE OU MARCHANDISE - Didier Bergounhoux - France - 2006 - 49'
POUSSIÈRE DE FEMMES - Lucie Thierry - France - 2007 - 51'
RACINES(S) - Karim Bensalah - France - 2006 - 7'
SUR LE SENTIER DE L'ÉCOLE - Lucas Mouzas - France - 2005 - 52' - VOSTF
UNE AVENTURE PAS COMME LES AUTRES - Robin Letellier/Albert Mendy/élèves de l'école Saint-Vivien - 2007 - 20'
VAUDOU - Jean-Luc Magneron - France - 1976 - 80' - interdit aux moins de 12 ans
VÉLO NOIR, VÉLO BLANC - Martin Fraudreau - France - 2006 - 52'
Japon APPLESEED - Shinji Aramaki - Japon - 2004 - 83' - VOSTF
ORIGINE - Keiichi Sugiyama - Japon - 2006 - 95' - VOSTF
Mali FARO, LA REINE DES EAUX - Salif Traoré - Mali - 2007 - 90' - VOSTF
Maroc AMAL - Ali Benkirane - Maroc/France - 2004 - 17'
LE CAFÉ DES PÊCHEURS - Al Hadi Ulad-Mohand - Maroc - 2007 - 23'
Namibie DAY OFF - Jérôme Jourlait - Namibie/France - 2007 - 3'
SUNSTROKE - Jérôme Jourlait - Namibie/France - 2007 - 10' - VOSTF
Niger BON VOYAGE SIM - Moustapha Alassane - Niger - 1966 - 5'
FVVA - FEMME, VILLA, VOITURE, ARGENT - Moustapha Alassane - Niger - 1972 - 68'
KOKOA - Moustapha Alassane - Niger - 2001 - 13'
LE RETOUR D'UN AVENTURIER - Moustapha Alassane - Niger - 166 - 34'
SAMBA LE GRAND - Moustapha Alassane - Niger - 1977 - 14' - VF
Palestine IT'S NOT A GUN - Hélèna Cotinier et Pierre-Nicolas Durand - Palestine - 2006 - 67' - VOSTF
Sénégal BOROM SARRET - Sembene Ousmane - Sénégal - 1962 - 19'
CEDDO - Ousmane Sembene - Sénégal - 1977 - 120' - VOSTF
GUELWAAR - Ousmane Sembene - Sénégal/France - 1991 - 105' - VOSTF
LA NOIRE DE... - Ousmane Sembene - Sénégal/France - 1966 - 60' - VF - N&B
LE MANDAT - Ousmane Sembene - Sénégal - 1968 - 105' - VOSTF
MON BEAU SOURIRE - Angele Diabang Brener - Sénégal - 2005 - 5' - VOSTF
NIAYE - Sembene Ousmane - Sénégal - 1964 - 35'
PETITE LUMIÈRE - Alain Gomis - Sénégal/France - 2003 - 15'
Syrie LE VOYAGE AU BOUT DU MONDE - Mohamad Al-Roumi - Syrie - 2006 - 17' - VOSTF
Taiwan ET LÀ-BAS QUELLE HEURE EST-IL? - Tsai 'g-liang - Taiwan/France - 2001 - 116' - VOSTF
GOODBYE DRAGON INN - Tsai 'g-liang - Taiwan/France - 2004 - 82' - VOSTF
I DON'T WANT TO SLEEP ALONE - Tsai 'g-liang - Taiwan/France/Autriche - 2006 - 114' - VOSTF
LET IT BE - Chuang Yi-tseng & Yen Lan-chuan - Taiwan - 2004 - 111' - VOSTF
OCEAN FEVER - Chen Lung-nan - Taiwan - 2004 - 109' - VOSTF
POLES EXTREMITY - Zero Chou - Taiwan - 2002 - 56' - VOSTF
RESPIRE - Ho Wi-ding - Taiwan - 2005 - 15' - VOSTF
STONE DREAM - Hu Tai-li - Taiwan - 2004 - 79' - VOSTF
TAIPEI'S BOHEMIANS - Hung Hung - Taiwan - 2004 - 50' - VOSTF
THE HOLE - Tsai 'g-liang - Taiwan/France - 1999 - 95' - VOSTF
Tchad DARATT - Mahamat-Saleh Haroun - Tchad - 2006 - 96' - VOSTF
Tunisie TENDRESSE DU LOUP - Jilani Saadi - Tunisie - 2006 - 85' - int. - 12 ans
USA LE TEMPS D'UN FILM - Laurence Attali - Sénégal/États-Unis/France - 2007 - 52'

Countries of the movies [Tous les cinemas du Monde, Rouen]

77 Movies are shown in the festival, and the second country represented is Taiwan !

You can find in exclusivity the google map of the Represented country on this external page !

France 17
Taiwan 10
Sénégal 9
Niger 7
Maroc 5
Japon 4
Belgique 3
BurkinaFaso 3
Cuba 3
Namibie 2
Angleterre 1
Angola 1
Cap-vert 1
Mali 1
Chine 1
Congo 1
Brésil 1
Palestine 1
Chili 1
Syrie 1
Tahri 1
Argentine 1
Tchad 1
Tunisie1


USA 1
Total general
78

It's not a gun [Tous les cinemas du Monde, Rouen]


A girl singing, violin, clarinet, cello, playing in the street. The crowd is surprised, interested, listening, smiling. Some children are playing with the camera, but most of them are carefully watching the instruments. Soldiers are coming : « - You can't stay, we have to secure the place, you can't stay ! -But this is music : a cello, not a gun ! ». We're in a checkpoint, near Ramallah.

2003. Rani Aburedwan explains his project : to bring music in Palestine. « I spent my childhood to throw stones, it was the first Intifada. But I remember the first time I saw a guy playing the guitar. » He created an association, Al Kamadjati (the violinist) and a camera followed them : from the doubts of the beginning, in 2003 till the opening of a musical school in 2005. In 2 years 30 musician has been invited in Palestine to play and teach music to children.



The two young documentarists have followed the association for a few weeks, in 2003, 2004 and 2005, to show the progress and the evolution of the project. This long time reveal the determination of some musicians, aware of the palestinian condition, and the evolution of what starts as a modest project (play for children) until the creation of a musical school.

Difficulties came from everywhere: Passing checkpoints can take hours, and children are waiting for them in refugees camps, disappointed. The Wall. « I can't imagine what the landscape was before the wall. It looks old, but it was not here last year. » French, German musician who came are disoriented, and have doubts. Many Palestinians asking « are they Jew ? They aren't like us ! », danger is so near !
Some moments of the movie are really stunning, like this girl, 5 years old : « It was beautifully. My father had an instrument when he was alive. Since, it broke and my father is dead ».

This documentary does not show us the preparation, the long organisation needed to bring these classical musicians in the occupied territories. Instead we are with them when they cross the countries, playing in front of children, showing them instruments, giving lessons.
Only one thing is eternal : children smile, and pleasure to listen and play. « I remember, when I came to a camp, I saw the children sketches. There were tanks, guns, and planes throwing bombs. I played, and spent an afternoon with them. I came back a weeks ago. I saw many of them were drawing violins. The tanks had not disappeared, but I hope we can make them understand there is something else. It's important. Some of them were expelled from school by religions : "you are Muslim children, you can't listen music ". Children will remember they liked our music. One day, I hope they will understand some are taking advantage of the situation to control this chaos. ».




Of course, « this is not a gun » is just an association, not here to bring more pain, but to share the joice of music with children who never saw a violin.

About the movie :
* 2006, by Pierre-Nicolas Durand and Hélèna Cotinier
* the association : http://www.alkamandjati.com

Le Mandat, en presence de Moustapha Alassane [Tous les cinemas du Monde, Rouen]



Mandabi, the postal order which is a part of life of africans who emigrated in Europe and send money back to their familly. This one have been sent from Paris to Dakar. But when the recipient understand he needs an ID to claim the order, the farce begins.

This is a poor, unemployed man. In his too large booboo, he tries to get his papers. And when he get it, crooks and neighbours come to claim their part in the name of solidarity with friends, employees, beggars...


« If begging becomes a profession in Senegal, what will happen to us ? » ask the main character.

Within the poor urban population, we are shown another conception of property, which lack of intimacy, and privacy. Among it, with a lot of humour, we see the emerging "evolved" elite : educated in european schools they take advantage of the situation, getting the crumbs of the colonial power after the decolonisation.

The character embodies an Africa that have nothing in hands, except dignity, and seems destined to be swindled. The humour become a need in front of this situation : how is it possible to get less rich after recieving money than before ? This movie is a Farce, of course, but a symbol of a true north/south relationship.


The audience was laughing, was moved... without difference between french and senegalese that were present (the projection took place in the Senegalese Shelter). Sembene made a movie that could talk to both populations: African and European. First one are ready to laugh about the situation of their country, of an honnest man. Second one is catched by the universal laught and a new understanding, a new point of view about the post colonisation in Africa. Sembene achieves to bring the whole thing together without manicheism.

Moustapha Alassane, present during the projection, said a few words when a spectator asked him about « fight against poverty » in Africa.


« What is poverty ? Is it something that dispeared in Europe or in America ? It is a word used in a wrong way, used only for Africans. But poverty does not exist : there is only under development. It is different. The world did not let us time, and because there are things we can't do, because we don't have the knowledge, or the technics, we are considered poors. But poverty is everywhere : thoses who are not considered as poor are thoses who could develop themselves.

As you saw in this movie, recieving money from Europe is an opportunity to swindle. This allow small employees to get a little more money, but bribery became an industry. It's not a few bags of rice, as in this movie, but tons and tons that were stolen, misappropriated. It's not by sending money we will help these countries.

There are so many things that were invented to swindle people."


Mandabi - The Money Order - 1968
Realisation and screenplay : Ousmane Sembene
WIth Makhouredia Gueye
Language : Wolof and French